Faux bois, cailloux et galets avec Sylvie Peraud

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... materials

Liste du matériel :

Por le Faux Bois :
• une machine à pâte
• Argile polymère - paquets de 56g :
• 1/2 rouge, 1/2 or, 1/64 bleu ultramarine, 1/128 noir de Kato Polyclay ou autre marque de pâte de votre choix
• pâte"scrap" environ 56g
• Kato Polypaste ou polymère liquide
• UTEE noire (poudre à embosser épaisse)
• lame rigide et scalpel
• rouleau acrylique et rouleau fin type tube de laiton
• grosse aiguille à tricoter
• une aiguille fine
• compas, règle, crayon, ciseaux, feutre et papier
• talc bébé
• du bicarbonate de sodium (pour la cuisson)
• mini perceuse (type Dremel) et mèche de 2mm
• colle CA type super glue ou Poly Glue
• un support de cuisson rond type ampoule ou presse papier en verre
• 2 emporte pièces ronds diamètre : 4 et 5 cm
• 2 grosses billes en verre rondes

Por Les Faux Galet :
• une machine à pâte

Pour les galets de plage :
• 1 paquet de pâte translucide
• 1/8 de paquet de pâte marron
• 1 noisette de blanc et de noir
• de la peinture à l'huile marron (la teinte dépend de la couleur désirée pour les galets
• de la polymère liquide
• un morceau de grille de plâtrier

Pour les cailloux noirs :
• un paquet de pâte noire
• une noix de gris (restes de pâte) une noix de beige
• une petite râpe
• de la polymère liquide
• des éponges à poncer gros et moyen grain et du papier à ponçer n°400 et n°600 ou les feuilles 1500 et 1800 du kit de micro-mesh.

Pour Monter le Bracelet : 
• 7 Faux galets dont 1 très petit
• 3 pièces en faux bois dont une pièce creuse en guise de fermoir.
• 88cm de lacet rond en cuir
• une mini perceuse type Dremel.
• de la super glue

... instructors

Sylvie Peraud

Making jewelry has been part of Sylvie’s hobbies since childhood. Beads when she was young, melted recycled plastics later and polymer clay since 2005. Inspiration is everywhere around her, when walking in the nature, when discovering other art mediums, when reading a book. What she loves best is making faux: faux wood and faux stones. The closer she gets to the real material, the happier she is. Working with a medium as versatile as polymer clay makes it endless.

When working with polymer clay, there are no limits other than those you fix to yourself. It has led Sylvie to create a simple...
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